Bernardino Branca and Fabio Tononi
University of Kent, UK / NOVA University of Lisbon
https://orcid.org/0009-0004-7509-6163 / https://orcid.org/0000-0002-2113-0694
Abstract The seventh issue of The Edgar Wind Journal is divided into two parts. The first part includes three articles by Jaynie Anderson, Peter Burke, and Oswyn Murray, who reflect on their encounters with Edgar Wind and the reception of Wind’s thought. Anderson was examined by Wind on the occasion of her Rhodes Fellowship, whereas Burke and Murray attended Wind’s lectures as undergraduates. These three articles originate from the presentations these scholars gave at the launch of the volume Edgar Wind: Art and Embodiment on 16 April 2024 at Trinity College, Oxford, where Wind was Professor of Art History from 1955 to 1967.
Bibliography
Anderson, Jaynie, Bernardino Branca, and Fabio Tononi (eds), Edgar Wind: Art and Embodiment (Oxford: Peter Lang, 2024).
Panofsky, Erwin, ‘The History of Art’, in The Cultural Migration: The European Scholar in America, ed. by William Rex Crawford (Philadelphia: University of Pennsylvania Press, 1953), pp. 82–111.
Tononi, Fabio, ‘Festschrift in Honour of Jaynie Anderson’, The Edgar Wind Journal, 6 (2024), 1–34.
Wind, Edgar, The Eloquence of Symbols: Studies in Humanist Art, ed. by Jaynie Anderson (Oxford: Oxford University Press, 1983).
––––, Hume and the Heroic Portrait: Studies in Eighteenth-Century Imagery, ed. by Jaynie Anderson (Oxford: Clarendon Press, 1986).
The Edgar Wind Journal 7: 1-2, 2024
DOI: 10.53245/EWJ-00034
Copyright: © 2024 B. Branca and F. Tononi. This is an open access, peer-reviewed article published by Bernardino Branca