Peter Burke
University of Cambridge
https://orcid.org/0000-0002-2471-0141
Abstract This article offers reminiscences of Edgar Wind from the period 1957–62. These memories are followed by an attempt to view his work in context or, more precisely, in two possible contexts. First, I follow the fortune of one of Wind’s favourite concepts, embodiment. Second, I discuss the reception of Wind’s ideas as an example of the distinctive contribution of exiles caught up in the ‘Great Exodus’ of the 1930s to the humanities and social sciences.
Keywords Art; Embodiment; Exiles; History; Iconography
Bibliography
Blunt, Anthony, Artistic Theory in Italy 1450-1600 (Oxford University Press, 1940).
Bourdieu, Pierre, Esquisse d’une théorie de la pratique (Seuil, 2000).
Branca, Bernardino, Edgar Wind, filosofo delle immagini (Mimesis, 2019).
Bredekamp, Horst, Bildakt und Verkörperung (Wagenbach, 2008).
Burke, Peter, Exiles and Expatriates in the History of Knowledge, 1500–2000 (Brandeis University Press/Historical Society of Israel, 2017).
——, Hybrid Renaissance (Central University Press, 2016).
Gell, Alfred, Art and Agency (Oxford University Press, 1998).
Kintzinger, Marion, Chronos und Historia (Harrassowitz, 1995).
Luschke, Marion, and Pablo Schneider (eds), Manifeste zu Bildakt und Verkörperung (De Gruyter, 2018).
Marienberg, Sabine, and Jürgen Trabant, Bildakt at the Warburg Institute (De Gruyter, 2014).
Pevsner, Nikolaus, The Englishness of English Art (Architectural Press, 1956).
Samuels, Ernest, Bernard Berenson: The Making of a Legend (Harvard University Press, 1987).
Tononi, Fabio, and Bernardino Branca, ‘Edgar Wind: Art and Embodiment’, Edgar Wind Journal 2 (2022), pp. 1–8.
Varela, Francisco, Evan Thompson and Eleanor Rosch, Embodied Mind (MIT Press, 1991).
Wind, Edgar, Pagan Mysteries in the Renaissance (Oxford University Press, 1958).
The Edgar Wind Journal 7: 12-17, 2024
DOI: 10.53245/EWJ-000036
Copyright: © 2024 P. Burke. This is an open access, peer-reviewed article published by Bernardino Branca